L'histoire de la TGAD

Let us navigate in the less fishy waters of the "structures of correction" in the "Q" floor (Quality/Quantity) (connection with page 4 Q floor).
An exhibition at the Statengalley at the Hague in the Netherlands in october 1996.

A presentation that is a medley of ideas.The meeting room, the prototype 2 is recycled as a machine reprocessing used papers in the VGDA.

The image is interesting, the realization leaves room for improvement. The VGDA is caught in its own mecanism. Along its development and its realization the VGDA becomes more complex and sometimes fails to perform. As a consequence, it creates weak and complicated images.

Is it able to run its growth or is it not giving itself enough chances to take its time ?

Is it its own consensus that is responsible for its own death or is it suffocating by self management ?

Surely it would be necessary to make radical changes of its means, and its productions of expressions as well as giving means to face its growth. That is the reason why we ask you who have read up to now (5362 ???? words) the following questions :

- did we give ourselves enough chances to function ?

- is it true that the VGDA has made the necessary radical changes in its speeches and has clearly asked : you are ... ?
Send your critics and write to us at : critique@tgad.com.

As we get close to the year 1998, we are lacking distance to judge in an unbiased way. So, let us finish the narration.

The other structure of correction "the sun-visor" has been exhibited at the Statengallery for the first time at the occasion of the Amsterdam Contemporary Art Fair and then within its premises of The Hague. After that it was also presented in the Cologne Contemporary Art Fair and at last in the parisian suburbs in Brice sous ForÍts (near Sarcelles) in an event called Art and Politics organised by Véronique Pattegay.

This structure was developed with a double aim : first, arranging the spaces of offices in the VGDA that were too much exposed to sunlight; second, making a storage space more confortable. The work of art was produced at the occasion of Contemporary Art Fair in Amsterdam and it was at the same time both an art object as well as an occasional office for the two gallery directors : Franck and Everdien Wesstien.

Let us navigate in the less fishy waters of the "structures of correction" in the "Q" floor (Quality/Quantity) (connection with page 4 Q floor). An exhibition at the Statengalley at the Hague in the Netherlands in october 1996. A presentation that is a medley of ideas.The meeting room, the prototype 2 is recycled as a machine reprocessing used papers in the VGDA.

The image is interesting, the realization leaves room for improvement. The VGDA is caught in its own mecanism. Along its development and its realization the VGDA becomes more complex and sometimes fails to perform. As a consequence, it creates weak and complicated images. Is it able to run its growth or is it not giving itself enough chances to take its time ? Is it its own consensus that is responsible for its own death or is it suffocating by self management ? Surely it would be necessary to make radical changes of its means, and its productions of expressions as well as giving means to face its growth. That is the reason why we ask you who have read up to now (5362 ???? words) the following questions : - did we give ourselves enough chances to function ? - is it true that the VGDA has made the necessary radical changes in its speeches and has clearly asked : you are ... ? Send your critics and write to us at : critique@tgad.com. As we get close to the year 1998, we are lacking distance to judge in an unbiased way. So, let us finish the narration.
The other structure of correction "the sun-visor" has been exhibited at the Statengallery for the first time at the occasion of the Amsterdam Contemporary Art Fair and then within its premises of The Hague. After that it was also presented in the Cologne Contemporary Art Fair and at last in the parisian suburbs in Brice sous ForÍts (near Sarcelles) in an event called Art and Politics organised by Véronique Pattegay.
This structure was developed with a double aim : first, arranging the spaces of offices in the VGDA that were too much exposed to sunlight; second, making a storage space more confortable. The work of art was produced at the occasion of Contemporary Art Fair in Amsterdam and it was at the same time both an art object as well as an occasional office for the two gallery directors : Franck and Everdien Wesstien.