Here
the VGDA, outside its usual grounds, converts your space baring in mind
the care for the amelioration of your everyday environment. So, for the
period of a summer, the greenhouse with a garden and an exhibition room
is becoming a laboratory and a place where thoughts can develop on the
thema as well as on the premises of the departmental park of Pougues-Les-Eaux.
In
collaboration with the "e" floor (anarchy), this VGDA project
consists in
cleaning entirely the greenhouse creating a garden with wild ferns,
and a floating garden with flowers. It includes covering the greenhouse
with a kind of transparent skin made of flexible PVC material and organising
an exhibition inside about the park history presenting the various projects
of development it has been the object of and finally in making utopic
propositions.
This
initiative gives information about the park inventory of fixtures as
it is now and offers its thoughts on subjects such as heritage, its
preservation, its alteration, its deficiencies, its powers, its plants
and botanical secrets, its shape, its museum status or its living heritage
status and the desirable investments.
Yes,
the VGDA wants to engage a dialogue about your park and via a cleaning
operation and the valorization of the Park Saint Léger's old
greenhouse, it will make this abandonned and anarchic place a major
site in the local democracy.
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"Long live wild democracy"
Realization : The Very Great Democratic Administration
Directed by : The team of the "e" floor (anarchy)
Production : Contemporary Art Centre of the Saint Léger
park in Pougues-Les-Eaux
Costs (in french francs) : 15,000.00
Finances : State, The region of Burgundy, regional council.
Management : Catherine Arthus Bertrand
Artistic management : Niek van de Steeg
Assisted by : Jérome, Adel, Frédéric, Sam.
Realization of the greenhouse's cover : Tineke van Aalzum
Clerk : Nicolas
This
was written on an entrance door of a footpath fence put up around a
ruined greenhouse dated of the beginning of the century.The wooden wall
is representing the cross cut of the VGDA's floors (connection with
page 3 TGAD in the text and the sketches)
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